It is a well-known observation by astrologers that as eclipses approach the news in the world gets juicier. Along with a rise in heightened activity, there is the inevitable death of famous people. Not just ordinary famous people, but more often than not, famous luminaries that have been very prominent in their field. Eclipses honor those that have left indelible legacies, careers and footprints and have built celebrated reputations by having achieved the pinnacle of success. This makes the recent deaths of Queen Elizabeth II and Angela Lansbury more spiritually meaningful and connected to the zeitgeist. Another astrological phenomenon contributing to the magnitude of fame and power of these recent deaths is the upcoming Venus/Sun cazimi at 29° Libra on October 22. The Venus/Sun cazimi occurs at least twice a year, so that in itself is not unusual. This one is extremely significant because it is ending a hundred-year cycle. It’s noteworthy that this is the first to occur in Libra after having been in Scorpio since 1926. These cycles of Venus move backwards in the zodiac similarly to the lunar nodes. This is going to have major ramifications in the world and for individuals with placements at 29° Libra or any of the cardinal signs. More on that in another article.
This Libra conjunction that will now occur every eight years is only one of the arms of the famous star pentagram that Venus forms due to its retrograde motion. Venus retrogrades in 5 different signs that repeat every eight years until each of those individual cycles runs its course after approximately 100 years. The cazimi happens when Venus reaches her superior or inferior conjunction. This particular arm is now shifting from Scorpio to Libra. This is the initial ingress into Libra after being in Scorpio since 1926. It will remain in Libra for over 100 years till 2133 (with one last Scorpio cazimi in 2026). This signifies a major tectonic shift when one era dies and another begins. It is no accident that these two Venusian legends would die at this time. Queen Elizabeth was a Taurus and Angela was a Libra.
They represent an archetypal shift of endings and new beginnings. It’s evolutionary because, as stated above, these shifts occur approximately every 100 years. These are long spans of times and the turning point from one era to the next is happening now. What’s even more synchronistic is that Angela Lansbury was born in 1925 and Queen Elizabeth in 1926; both at the time of the Scorpio ingress and they have died within a month of the transition into Libra.
Angela Lansbury died on October 11 just 5 days shy of her 97th birthday. What a career, what a life, what a legacy! She was a Queen in the field of entertainment. She died only a month after Queen Elizabeth II of England. They were both royal, one by birth, the other by accomplishment and they both proved themselves up to the task of fulfilling their destiny. It’s a fair comparison because each sat on the throne of power for a very, very long time. Elizabeth II reigned for 70 years and Angela Lansbury had an active career for 80 years. They both died at the ripe old age of 96 and were human institutions. They had a comfortable, grandmotherly nature, obviously from their aged appearance but on a deeper, more substantial level was due to the fact that they have been around ever since most of us were born. As far as the general public is concerned, they were always in the public eye. They were stable, secure and you could count on them. They were the crème de la crème, the tops of the tops and were literally Mother figures to several generations.
ANGELA LANSBURY TRANSITS TO NATAL CHART: Birth Info: October 16, 1925, 12:45 am, London
Ms. Lansbury died on October 11 just as we entered eclipse season. You would expect one of the following eclipses to hit her chart dynamically. In this case it is the Lunar Eclipse of November 8th at 16° Taurus. It is in her 10th whole sign house making an opposition to Saturn at 14° Scorpio. Saturn is the planet that rules the end of time, the end of life, reaching your limit. Here in the 4th whole sign house it is the “womb to the tomb” and the sign of Scorpio is a literal death or shall we say transition. The Taurus 10th house placement is the celebration of her legacy, accomplishments, achievements and destiny.
The transiting south node is at 14°31’ Scorpio in partile conjunction to Saturn. The south node is letting go, releasing and again brings up further Scorpio/4th house symbolism. Transiting Saturn has been crossing back and forth over the ascendant/descendant axis all year, a major point of action in the chart. The 7th house is known as a public one and it is the house that sinks below the horizon in the diurnal motion and thus has a symbolic meaning of descending into the depths of the dark night. Transiting Saturn has also been squaring natal Saturn the past year which must have been hard on her health, or at the very least slowing her down.
The upcoming Venus/Sun cazimi at 29° Libra conjuncts Mercury. In mythology Mercury is summoned to shepherd all souls on their final journey home. It is flanked by transiting Mercury just entering Libra, conjunct her Moon and sitting on the world axis, a point of connecting to the world stage in a noteworthy way. Transiting Jupiter tightly opposes the Moon calling her body on a long journey. The 9th/3rd house axis emphasis long journeys of some kind. Death is the ultimate long journey of leaving the body. Dying within days of her birthday ensures that her presence in the news will be guaranteed for a bit longer than usual as we honor her death quickly followed by celebrating her birthday.
Transiting Neptune is sitting on her 8th house Uranus. This is a generational transit and I suppose reading it in the context of her 8th house would represent death, and the removal of her presence from the collective. Transiting Pluto has been squaring her Sun (vitality) for a couple of years and is currently tightly squaring Mercury.
Her progressed Sun has recently (August 2022) ingressed into Aquarius. Progressions of the Sun into a new sign are always important. This is doubly so because the Sun rules the first house of the physical body, appearance and image. This progression signifies a major evolution of her life force. You could say it is an electrical shock to her spirit as it moves into a brand-new whole sign house (the 7th) and connects with the natal South Node in a partile conjunction. In Hellenistic astrology the 7th house concerns relationships as well as death (because it’s the last house before sinking below the horizon). The south node is a release, a letting go and clearing out in a way similar to the transiting nodes conjunct Saturn.
The Progressed Moon at 1° Taurus has just entered the 10th whole sign house of public attention, status, reputation and recognition. It’s interesting to note the transiting Moon also in Taurus on the day of her death.
Progressed Mercury conjuncts Jupiter and opposes natal Pluto. She’s born on a Pluto retrograde station, so this progression is emphasizing an already emphasized planet. This combination being triggered indicates a long journey of a spiritual nature involving death. Mercury here acts as Hermes the Psychopomp, guiding souls to their final resting place.
On closer examination, using the birth time as given, the Solar Eclipse at 2° Scorpio is conjunct her progressed Ascendant at 3° Scorpio. If we rectify the chart to 12:40 am then the progressed Ascendant is 2°49’ Scorpio, more exact. An eclipse to the progressed ascendant in Scorpio is a readiness, or preparation in some way for death or transformation to the physical body. The progressed Moon is opposite this degree at 1.21 Taurus. The rectified chart also gives us a progressed MC at 14°15’ Leo in partile square to Saturn, another strong indication of adjusting the birth time. In summation, when rectifying the chart just five minutes earlier the progressed Ascendant lines up quite closely to squaring Saturn while the progressed MC lines up exactly with the Solar Eclipse of 10/25/22 the one in which she is exiting physical form.
NATAL CHART ANALYSIS: October 16, 1925, 12:45 am, London, England. Whole Sign Houses.
Ms. Lansbury was the supreme example of what is called in the entertainment industry the triple threat. She could act, sing and dance. Her career spanned eight professionally active decades and at the time of her death, she was one of the last surviving stars from the Golden Age of Hollywood. She was the recipient of numerous accolades, including six Tony Awards, six Golden Globe Awards, a Laurence Olivier Award, and an honorary Academy Award. She has been nominated for three Academy Awards, eighteen Emmy Awards, and a Grammy Award.
She has a Libra stellium involving the Sun, Moon, Mercury and Mar in the third whole sign house. This is the house of communication, local travel, education and siblings. In Hellenistic astrology it is also the house of Goddess and Queen because the Moon has her joy in this house. She is born with a third house Moon, so she benefits greatly by having Luna dignified by house placement. She has two brothers with whom she is very close. One became the producer of her hit series MURDER, SHE WROTE while the other became a successful stage and film producer as well. When they moved to the USA, and she quickly became a successful actress in Hollywood she supported her mother and brothers. Those third house placements make her an excellent communicator and endlessly curious about life. With dispositor Venus in Sagittarius in the 5th she brings those talents to the house of creative self-expression, acting, fun, pleasure and theater. Venus has her joy in the 5th house so she, like the Moon, is dignified by house. The Sagittarius part of the equation finds acting success in a foreign country. Another indication of foreign connections is a Libra stellium in the third (local travel) shooting out energy into the Aries 9th house of foreign countries and travel.
A Leo ascendant is perfect for an actor because they enjoy being in the limelight. It emphasizes the third house Sun making it even stronger because Leo is the ascendant ruler. She really wants to shine her star power through the Libra third house placements carried into the 5th via Venus. Though the Sun is in fall, it is somewhat mitigated by having its dispositor Venus powerfully placed in the 5th. Neptune is tightly conjunct a Leo Ascendant. This bestows the ability to adapt her personality and appearance like a chameleon. She has a natural ability to play many varied and different characters. Having Neptune rising is great for helping to get lost into other worlds, particularly the imagination. She is quoted as saying, “I became a self-professed complete movie maniac, visiting the cinema regularly and imagining myself as certain characters.” Neptune has a close affiliation with movies and glamour. It also makes her blind to certain things. For instance, she married first husband Richard Cromwell in 1945. He was 16 years her senior. She didn’t realize at the time that he was gay. They divorced in 1946.
She’s also born on a New Moon which gives the native the ability to make new starts and beginnings. It supplies a very action-oriented flavor to the Libran ability to partner, appreciate beauty and communicate with others. I have always found new moon babies to be dynamic and full of lots of energy and curious to get things started. It adds an extra dose of cardinality to an already cardinal stellium. Katharine Hepburn is another example of an actor born on a new moon.
Mars in the third co-present with the other planets suggests an ability to be an iron fist in the velvet glove when she must fight or assert herself especially when communicating with others. She’s not retiring or shy. I imagine she’s an excellent debater. Mars is in debility so she may have a hard time asserting herself without a long hard deliberation in her own mind about what she wants to say and how to say it fairly. She can lose spur of the moment action because of too much deliberation when Mars would prefer to just jump right in. Mars is the focal planet of a cardinal t-square involving Pluto and Jupiter. Mars/Pluto combinations can be ruthless but Jupiter would soften it to be more about asserting her will through awareness of the other.
A Scorpio Saturn in the 4th house has her experience the early death of her father in 1934 when she was 9. Shortly after the grandfather died, the blitz came to London and Angela’s mother move herself and her children to the United States. The Saturn forces an early sense of responsibility and maturity having to deal with challenging fourth house matters such as deaths of paternal figures, loss of money and moving away from one’s homeland to a foreign country. She became the breadwinner of her family at a very young age.
A Taurus MC puts ruler Venus in the house of its joy. The career is focused on acting, creativity, the arts, pleasure, joy, fun and being childlike. There is a reason it’s called the house of good fortune and it’s where Venus rejoices. It’s very important to note that Venus is the benefic of sect so she is strengthened and has even further power. Mars is the malefic of sect so it helps mitigate some of his more negative Libra traits.
She is born on the retrograde station of Pluto so this planet in her 12th house has greater influence than one might think at first glance. Being born on a station gives that planet extra emphasis and power and with Pluto that can be nuclear. She connects on a very deep level to the collective unconscious. Though she has all the charm and sweetness indicative of the Sun, Moon, Mercury and Mars in Libra, underneath she is a woman of great regenerative power and passion. She rebirthed her career three times in film, stage and television and achieved amazing influence, stature and money in all. The saving grace in keeping that Pluto tipped on the right side of power is the tight opposition of Jupiter which provides luck, grace, awareness, understanding, meaning, and support especially through her 6th house work. Jupiter brings out Pluto’s more positive attributes of passion, influence, persuasion, trust, regenerative abilities and the light-oriented aspects of power to do great good for the collective rather than great harm.
FURTHER BIOGRAPHICAL INFORMATION
She moved to the United States from England in 1940 with her mother, Irish actress Moyna Macgill, and two brothers to study acting in New York. She proceeded to Hollywood and was quickly signed to a contract at MGM where George Cukor shrewdly cast the 17-year-old as the scene stealing, conniving cockney maid in GASLIGHT starring Ingrid Bergman and Charles Boyer. She was nominated for a best supporting actress Oscar. She followed this up the next year with another nomination for her heartbreaking performance in THE PICTURE OF DORIAN GRAY. With two nominations in quick succession for two completely diverse characters she was proving her talent. What followed for the next 7 years at MGM were a series of supporting roles in varying degrees of quality. She did get to use her musical talents in films like THE HARVEY GIRLS (although her singing was dubbed) where she tortured poor Judy Garland and TIL THE CLOUDS ROLL BY where she sang in her own voice. She played Elizabeth Taylor’s older sister in NATIONAL VELVET. She had glamorous roles in THE THREE MUSKETEERS and Cecil B. DeMille’s epic SAMSON AND DELILAH but by the early 1950s Hollywood lost interest because they couldn’t figure out what to do with her. She was always playing older than her age, sometimes by more than 20 years. From the very beginning there was always a maturity about her, and while beautiful, was not the classic glamour queen. She was primarily a character actress.
In the 1950s she continued working in film, if unremarkably, did some television and stage work. She also became a mother having married Peter Shaw in 1947, a marriage that lasted 54 years. Her film career picked up in the early 1960s with wonderful performances in films of quality such as ALL FALL DOWN, THE DARK AT THE TOP OF THE STAIRS and THE MANCHURIAN CANDIDATE. In the latter she memorably portrayed one of the most malevolent mothers ever to appear on screen. She received her third Oscar nomination. Good supporting roles continued in films throughout the 1960s.
Then something quite miraculous happened. Through a series of synchronistic and well-timed circumstances she somehow, amidst lots of competition, was cast in the musical MAME with music and lyrics by Jerry Herman and based upon Patrick Dennis book Auntie Mame. It already had two previous incarnations as a very successful straight play and film. It was a smash hit on Broadway, and she was the toast of the town for two years receiving her first Tony Award. This role transformed her into a glamorous and vibrant musical comedy star which is something she had always dreamed of becoming. This newfound success gave her a second career as a great star actress of Broadway with successes in the coming decades such as DEAR WORLD. GYPSY, SWEENEY TODD and many others. She also had great success as a Disney musical star in BEDKNOBS AND BROOMSTICKS and BEAUTY AND THE BEAST.
The third major career transformation occurred when she signed for the television series MURDER SHE WROTE in 1983 and the rest is history. It ran for 12 years and garnered a slew of Emmy nominations. It is perhaps the one thing for which she is most famous, having been responsible in making her even more popular and successful than ever. Greater power came her way, and its huge success exposed her to a new generation, enhanced her reputation with the older generation, and gave her wider audience recognition, something that the stage and film could never do in such a massive way. It also earned her a fortune and she used this success to catapult herself into many other projects until the day she died. She is that rare performer that never stopped growing and became more popular and active as she aged. Thank you for being a Queen and a Goddess!
Lucille Ball is one of the most famous Americans of the 20th century. There was a time in the 1950s when she was the most recognizable face in the world. Her television show, I Love Lucy, was pioneering and revolutionary in inventing and developing many industry standards that we now take for granted. She and her husband, Desi Arnaz, broke new ground by filming the show using three 35 mm film cameras (still used today), which enabled the show to be recorded in much higher quality (thus inventing the rerun) instead of the inferior process of kinescope in standard use at the time. It was the first ensemble sitcom; it was the first mixed race sitcom; it had the first TV pregnancy; and it was filmed in front of a live studio audience to get more authentic reactions, rather than canned recorded laughter.
Lucy and Desi were the first husband and wife team to form their own television production company (Desilu Productions) and later bought RKO studios, thus establishing them as a major and powerful film studio to rival MGM, Warner Brothers, Paramount, 20th Century Fox and Columbia. Desilu would go on to produce such hits and groundbreaking shows as Twilight Zone, Mission Impossible, The Untouchables, Make Room for Daddy, The Andy Griffith Show and countless others that used their production company for filming. After their marriage dissolved, Lucy bought out Desi Arnaz of his shares and became the first woman to run a major Hollywood studio. She proved herself to be a very adept business woman. She was groundbreaking, pioneering, as well as being one of the most brilliant comediennes of our time. She is without argument the first lady of comedy and paved the way for everyone to come after.
Lucille Ball was born on August 6, 1911 at 5:00 p.m., Jamestown, New York. (From Birth Registry, Kathleen Brady, AA, Lois Rodden AstroData Bank.)
A rounded off birth time is always a little suspect, but in going through some major life events, there is one in particular that really stands out to help pinpoint this time. Her second child Desi Arnaz Jr. was born on January 19, 1953. On exactly the same day Ball gave birth to Desi Jr., the fictional Lucy Ricardo gave birth to “Little Ricky.” As a testament to how interested the American public was in Lucy's TV baby, Arnaz appeared on the cover of the very first issue of TV Guide with the headline “Lucy's $50,000,000 baby.” The episode “Lucy Goes to the Hospital” was watched by more people than any other television program up to that time, with 71.7% of all American television sets tuned in, topping the 67.7 rating for the inauguration coverage of President Dwight D. Eisenhower the following morning. The revelatory transit to Lucy’s chart on this day has Saturn at 27.03° Libra conjunct her MC at 27.01° Libra. I’d say that is a pretty amazing timing for an exalted public event that has a major influence on her career, status and public image. In the natal chart, Saturn sits in the 5th house of children (hence her difficulty in conceiving and having children later in life, she was 42 at the time), so the transit brings 5th house imagery to the 10th. Also, the transiting South Node on the day of the birth is at 13.05° Leo, and Lucy’s Sun is 13.17°.
A brief analysis of Lucy’s chart reveals interesting insights. Yes, she was a Leo (the clown) but the Sun is in the 8th house, generally a weak and hidden position, behind the scenes and slow to activate. Lucy didn’t become famous as a comedienne and the world’s funniest clown until she was 40 years old. That’s rather late, especially for a woman in Hollywood.
The Sun is in a powerful t-square with Mars/Saturn and Jupiter. Mars/Saturn/Jupiter are in very favorable houses, so they push that 8th house into the spotlight after much hardship, effort, mistakes and diligent effort. It took a long, long time for Lucy the Clown to come out of the hidden and inactive energy of the 8th house, and it was only after years of being pushed by Mars/Saturn, along with some grace from Jupiter, that she uncovered the hidden and buried treasure of an 8th house, dignified Sun. It helped that Saturn rules the 1st house and the Moon, so it was Lucy herself (along with her mother) that did all the pushing and supporting.
The Sun represents the most important men in our life, beginning with our father. The Sun in the 8th house afflicted by the malefics Mars and Saturn is indicative of several things: Lucy's father died of typhoid fever at age 27, when Ball was only three. Her mother remarried and she was separated from them for a two-year period. She had an intense sense of abandonment. Her grandfather then became the most important figure in her life afterwards, and she adored him to the point of registering as a communist in 1935 just to please him. That would come back to haunt her, almost destroying her career in 1953.
At 15 there was an accidental shooting incident involving her grandfather and the death of an 8-year-old neighborhood boy. The boy was paralyzed and in a wheelchair the rest of his life, and died five years after the accident. Lucy’s family was ostracized, ruined financially and run out of town. It was a defining moment in her youth. In the first decade of her life, she lost her father, grandmother, was separated from her mother for two years, lived in eight different places and the family dealt with financial ruin and breakups. That was a lot of grief and hardship in a young girl’s life.
As a young woman Lucy was wild, bossy, attention seeking, liked men and had a penchant for hooking up with mobsters and nefarious 8th house types of men. Her husband, Desi Arnaz, although the love of her life, was an alcoholic and serial cheater. The squares from the malefics in the 5th and Jupiter in the 11th forced her to channel that Leo Sun’s craving for attention into her creative and artistic pursuits, and she eventually turned those hardships around into something productive, as the t-square involves the houses of good spirit and good fortune.
The Capricorn Moon rising was so important in her identifying with family, motherhood, as well as with challenge, extreme hard work and her need for structure, control and discipline in order to feel secure. She always was extremely obsessed with the pursuit of building familial and marital security. She went to great extremes to achieve both. She always said that being a mother and having family was the most important thing to her, and when she became a success, she turned her TV series into a family affair. She surrounded herself with her blood family and TV family every chance she could get. She was a self-admitted workaholic. Being a mother was as important to her as being a star. Her life was all about building structure through family and career.
She has two grand trines in Earth, which gave her that supreme gift for physical comedy, common sense and the ability to make lots of money. She was practical, serious, no nonsense and she NEVER considered herself to be naturally funny. If you watch her behavior outside the “Lucy” character, what you see is that Capricorn Moon ruled by Saturn. She was very earthy! Saturn became so vastly important to her overall personality because it rules the Ascendant and the Moon and sits in the 5th house conjunct Mars, while both square the Sun. She was deadly serious about her art and work. She was harsh, tough, ambitious, and I would say greatly motivated out of fear. Let’s not forget that Capricorn is the sign of time, and all comedians need a good sense of timing to be successful. There is so much more one can say about this chart, but I’ll stop there.
Speaking of timing, Lucille Ball and Desi Arnaz are big news again as the highly anticipated movie Being the Ricardos, written and directed by Aaron Sorkin, was released on December 10, 2021—a week before Venus turned retrograde in Capricorn and exactly conjunct transiting Pluto. Venus was firmly in her first shadow at that point, so the effects of the impending retrograde would have been stimulated. Why is Lucy making such a comeback right now? Venus retrograde in conjunction with transiting Pluto is happening in Lucille Ball’s first house. Her identity and image is being resurrected, analyzed, resuscitated and transformed as her story is being retold and reinterpreted. She is literally being brought back from the dead! Venus retrograde is always about harkening back to past relationship issues.
This is a revisiting and retelling of her marriage to Desi Arnaz and a behind the scenes look not of Lucy and Ricky, but Lucille and Desi. This movie deconstructs their marriage and gives us a psychological look on how they struggled to stay together and in the process built an empire. Lucy embodies the Venus retrograde in Capricorn archetype of a creative woman as an institution and part of our tradition, legacy and past. The Venus retrograde conjunct Pluto digs up the past and reinterprets, rebalances, recalibrates and restructures our image of this institution and woman, who has shaped the foundation of the television industry and eventually became the gold standard by which everything else is compared. This is the time to re-evaluate her achievements.
The show is not about destroying Lucy’s image but transforming it and allowing us to see something richer, deeper, more psychologically complex about a woman that we “think” we know. The public only knows the image of Lucy the Clown, and this show is about exposing Lucille Ball the woman. The Venus/Pluto is conjunct her natal Uranus, which enables us to reverse our perceptions, as well as opposing natal Neptune in the 7th, allowing us to see past, dissolve and transcend the outer image of who she was vis-a-vis the marriage. It’s interesting to note that both Uranus and Neptune square her MC and she came before the public eye via film (Neptune) and television (Uranus).
The Venus/Pluto transit also squares her MC, so it actively brings this revisionist story to the attention of the public. The approaching transit of Uranus to her natal Saturn/Mars conjunction in the 5th squaring her 8th house Sun is also responsible for the enlightenment and shocking revelations of the woman on a deeper level and the creative power that she unleashed. Finally, transiting Saturn in Aquarius fills out the empty leg of her natal t-square, forming a grand square for the next year. She’s unmasked to show us the woman behind the image. This is not about destroying our love of Lucy, but allowing us to see her humanity—warts and flaws included.
I can’t wait to see what kind of job Nicole Kidman does. A quick synastry glance shows they share the exact same nodal axis with the South Node at 4° Taurus and the North Node at 4° Scorpio, Nicole’s Sun tightly conjuncts Lucy’s Pluto, Nicole’s Ascendant conjuncts Lucy’s Jupiter and Nicole’s Venus/MC/Jupiter conjuncts Lucy’s Sun. That’s all significant, but I’ll leave it up to interpretation for another article!
Charts Activated after Death: A Case Study of Charles Manson and Sharon Tate and the Release of Quentin Tarantino’s Movie, Once Upon a Time in Hollywood
Quentin Tarantino has a new film going into worldwide release on July 26, 2019 called Once Upon a Time in Hollywood. It had its official first press screening at the Cannes Film Festival on May 21, 2019, 4:30 p.m., Cannes, France. The time source for the Cannes chart is from Variety.com.
Once Upon a Time in Hollywood tells the story of faded television actor Rick Dalton, played by DiCaprio, and his stunt double Cliff Booth, played by Pitt, who strive to achieve fame and success in the film industry during the waning years of Hollywood’s Golden age in 1969 Los Angeles. The plot intersects with the Charles Manson cult. Margot Robbie plays Sharon Tate.
As working astrologers we know that charts continue to live on beyond death. After death events are triggered by major transits, progressions and solar arcs as well as other techniques for divination. We have exact birth times for both Sharon Tate and Charles Manson, and since their lives are so inextricably tied together, I thought it would be interesting from an astrological point of view, to see what’s being activated in their charts, bringing them once again to the forefront of public consciousness. I’m using whole sign houses and both traditional and contemporary planetary rulerships.
Sharon Tate: January 24, 1943, 5:47 p.m., Dallas, Texas. Source: Lois Rodden AstroData Bank, AA.
Charles Manson: November 12, 1934, 4:40 p.m., Cincinnati, Ohio. Source: Lois Rodden AstroData Bank, AA.
Progressions let us know on a deeper level what is ready to be changed. In a person that is dead we could interpret this as what is shifting on a deeper collective level of the public’s perception of the person in question. Transits will time events and the progressions tell us how deeply those events will transform the person or their story. I’ll be using planetary placements for the Cannes premier date of May 21, 2019, although for a general discussion as this is, it won’t make any major difference if using July 26.
Sharon Tate Progressions
Mars at 25 Aquarius 29 is in a 45’ approaching conjunction to the 8th house South Node. In a day chart Mars is the malefic contrary to sect. So it’s said to be the most challenging planet in the chart. The angry red planet is ready to dredge up this violent, gruesome, shocking murder from the past. Aquarius also has to do with groups, in this case a destructive cult. Mars rules the natal 10th so her reputation is tied up in this very malefic Martian act from the past. He also rules the 5th, the area of the chart having to do with actors.
The progressed Sun is in exact sextile to natal Venus. Venus lives in the 8th house along with the natal Sun. This progression presents the opportunity to recreate her identity and star quality to the public and highlights who she is as a woman of beauty and talent. Her beauty and talent is still so identified with her untimely death. Venus rules the 4th, the past, and the 11th, groups and organizations. The Sun rules all those natal second house planets including Pluto (death and transformation), the North Node (her destiny) and Chiron (the wound that never heals, as well as well as the rape/murder scenario via a group of lascivious, cultish, deranged centaurs following a guru. Read your mythology of the centaurs as they relate to Bacchus, who in this case would be symbolized by Charles Manson).
The progressed Sun also forms an applying square to the ascendant/descendant axis by 47’. This axis along with the MC/IC axis is a point of action and visibility, indicating it’s time for this story to come before the public once again. The famous relationships in her life, her marriage as well as her destroyer are being made eminent once again. There’s a re-creation of these infamous events surrounding her most fated relationships.
The progressed MC trines progressed Mars, separating by 10’ and natal South Node, applying 35’. This emphasizes her reputation and karma from the past affiliated with the violent planet Mars.
Progressed Mercury forms an applying trine to natal Mars by 13’, and separating trine to natal Chiron by 35’. The ease of the grand trine suggests it’s time for the story to be told again. Mercury is the planet of communication and it rules the 3rd and 12th houses. This would be telling the story once again in more poetic terms, in this case through film. The 12th house of Ms. Tate’s chart also connects the story to the collective unconscious. Mercury also rules those 12th house planets, Uranus and Saturn. This suggests a new twist of an old story that permeates not only the psyche of Sharon Tate but also the collective group energy as bound to the Saturnian material world. The Mercury progression says it’s time for the story to be reanimated and reinterpreted. She’s part of social-political movement.
Lastly, the progressed Moon is traveling through Cancer, her rising sign. She’s therefore ruled by the Moon. This progression is symbolic of a new beginning regarding her story, her past and her personality. Because she has a Virgo moon, this progression digs up and re-analyzes her story. When an important planet like the progressed Moon is in an angular sign and house, it has more power.
Sharon Tate Transits
The tightest aspect that is in effect for an entire year is the 11th house transit of Uranus squaring the 8th house Sun/Mercury conjunction. It’s time for this shocking death to be unearthed once again. Uranus is strong, being in a house in which it feels at home, and ruling the Sun/Mercury conjunction.
Transiting Saturn is angular being on the descendant all year, as well as opposing Jupiter. The angularity makes for action, and the 7th house is the major relationships in her life with Polanski, and of course Manson, which is a fated 12th house kind of thing. Natal Saturn sits in the house of hidden enemies by birth. Saturn also rules the 8th house of death and resurrection.
Transiting Pluto and the South Node are also all over the descendant degree, adding to the excavation of this horror and the obsessions with the story, the past, and having it transformed into a new interpretation. History has forced her to be connected to two very important, powerful and destructive men, and it’s all being unearthed via the myths of Uranus, Saturn and Pluto.
Transiting Neptune trines Jupiter and semi-squares Sun/Mercury all year; the story is being told and disseminated through the world of film. Transiting Saturn sesquiquadrates the natal Saturn/Uranus 12th house planets; this is another connection between her husband Roman Polanski, who is a 7th house open enemy (as all spouses are), and the 12th house hidden enemy as represented by Manson.
The July 2 solar eclipse at 10 Cancer squares her MC from the first. Her story comes to the attention of the world. The eclipse affects her status, reputation and brings more recognition to her story.
The solar eclipse on January 10, 2020 will be on her ascendant, so the release of the film on the July solar eclipse will connect to the January solar eclipse in some way. That’s around the time the Academy Award nominations are announced, so perhaps there will be a nomination for Margot Robbie, who portrays her in the film.
Charles Manson Progressions
His Sun at 15 Aquarius is on the world axis, bringing his infamous identity back to the world stage. The progression is in the 10th and it rules the 4th. The South Node is ruled by the Sun, so it returns all that karma and obsession for stardom to the forefront. It’s interesting that though not in the exact same degree, Manson and Tate have the nodes in reversed signs. His progressed Aquarius Sun, though not in aspect, does resonate with her Aquarius 8th house stellium.
His progressed ascendant has just entered Leo, bringing him back into the limelight and connecting his identity to the past (Leo rules the 4th house). It’s as if he’s screaming from the grave, “I’m a star, I’m a star, I’m a star!” His progressed South Node conjunct the progressed ascendant tremendously inflames this feeling.
Progressed Mars trine natal Saturn. Both malefics rule angles, the 10th having to do with his reputation and legacy and the 7th having to do with his relationships. Mars rules his Scorpio stellium in the 7th bringing all those energies into play. Some 10th house authority, namely Quentin Tarantino, is bringing his violent past back to life. This progression was extremely tight while the film was being made. Saturn and Mars also rule houses 12 and 9.
Progressed Venus sextile natal ascendant and semi-square natal MC, both applying by 47’. His chart ruler in aspect to his ascendant provides an opportunity to reexamine his personality and his relationships, while in aspect to the MC brings him back into prominence. I can’t emphasize enough how transits and progressions to the angles are among the most important for being visible and coming before the public.
Progressed Mercury trine natal Mercury is an emphasis on communication and storytelling.
Progressed Jupiter tightly squares natal Saturn. This could be summed up as an exploration and expansion of his legacy. Jupiter seeks meaning for something, and this story can always be served by further explanations into the philosophy and meaning of the times and Manson’s role in the turbulent mythology of the late ‘60s. They both are domiciled in angular houses in the natal chart.
Charles Manson Transits
His major transit is Uranus over the ascendant. This is the end of one way of life and the beginning of new way of life. Since he’s dead, and Uranus is coming out of the 12th, it’s presenting a new perspective on who he is. A detached viewpoint of what his contribution was to the collective unconscious and our interpretation of the radical changes that were initiated in the late 1960s. His is a personality that is inextricably linked to this time period, for better or worse. How does his unique, shocking and crazy personality get reinterpreted as part of history? Maybe enough time has passed to get a bird’s eye view and some detachment from those horrific crimes, and see them in a more intellectual historical context. In a very obvious way, he is being thrown and projected back on to the collective, and this may be a shocking new interpretation of who he is, and what he has done. He died on his Uranus return in the 12th house, and now there can be new observation without him making any personal statements. It’s up to us, via the film, to formulate and reassess his image. Time gives us distance and perspective.
This transit also squares the lunar nodes and natal Moon, so it deeply connects the public to his image and his influence over the mass psyche and the collective karma. We project an awful lot of our dark image on to him, understandably so. This transit brings that all out into the open. All those 10th house Aquarius planets are brought into this transit through rulership, and it is extremely powerful.
At the same time, transiting Pluto and Saturn conjunct his MC and sextile the Sun. The imagery here is astounding and fairly obvious. The holocaustic effects of his deeds from the past are ready to be re-evaluated. Saturn, Pluto and Uranus are all transiting the angles. Place any obvious imagery and words on to these transits and you’ll be right in the interpretation.
Transiting Neptune trine the Sun/Venus conjunction and sextile the MC. Everything about this historical event is being easily told through the lens of cinema, the movies and poetic license to translate his story through a creative lens.
This is anticipated to one of the biggest movies of the year, and personally, I’m looking forward to its opening. In closing, I’d like to suggest as research projects, to look at charts of deceased famous people and not-so-famous people of interest to you. Track their transits, progressions, solar arcs and any other preferred techniques. It’s a great tool for learning and can bring insight to interpretations in client consultations for the living.
Joseph Addeo is a Level IV NCGR-PAA Certified Astrologer and serves on the Board of Directors of the New York Chapter. He can be reach via his website at www.josephaddeo.com or on Facebook at